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Dear Internet Archive Supporter,
I ask only once a year: please help the Internet Archive today. Right now, we have a 2-to-1 Matching Gift Campaign, so you can triple your impact!The average donation is $45. If everyone reading this chips in just $5, we can end this fundraiser today. All we need is the price of a paperback book to sustain a non-profit website the whole world depends on. We’re dedicated to reader privacy so we never track you. We never accept ads. But we still need to pay for servers and staff. I know we could charge money, but then we couldn’t achieve our mission. To bring the best, most trustworthy information to every internet reader. The Great Library for all. The Internet Archive is a bargain, but we need your help. If you find our site useful, please chip in. Thank you.
—Brewster Kahle, Founder, Internet Archive
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Medieval music, plainchant, and "otherness" -- The Renaissance, Oxbridge, and Italy -- The Baroque -- Classical and Romantic
Twenty-three musicians and conductors discuss the early music movement, in which music is played with the styles and instruments used when the piece was originally written and performed. "Each interview [focuses] on particular composers or styles, touching on heated topics such as how historical evidence should be used, why period instruments might matter, and what 'authenticity' is."--Jacket
![[WorldCat (this item)]](/images/worldcat-small.png "[WorldCat (this item)]")